Theatre, his forte
‘Though he is not a contemporary of mine,
Jayalath Manorathne is contributing much to theatre. He is a playwright
whom I admire. Likewise in cinema, Prasanna Withanage is a director who
gathers knowledge all the time and looks forward to doing better
Tony Ranasinghe is more than a household name in Sri Lanka. The
contributions he has made to the sphere of art over many decades have
made him a living legend. He is a man surrounded by awards and
Tony Ranasinghe. Picture by Tennyson Edirisinghe
What makes Tony a lovable person is his great sense of humour. The
trademark smile and thick eyebrows which made him one of the best
looking actors in Sinhala cinema still hold their magic.
The cinema, stage and teledrama actor, script writer, author,
producer and director, all rolled into one, is a great lover of music
“Listening to good music creates serenity in one’s mind,” he says.
In Delowak Athara
In an interview with Daily News ‘Projector’, Tony opens his heart to
a variety of topics. Excerpts:
Q: The latest news about you is that you have written the
screenplay of Sumitra Peries’ new film, ‘Vaishnavee’.
A: I wrote the scripts of ‘Awaragira’ and ‘Duwata Mawaka Misa’
for Lester and Sumitra earlier. Lately, I have thought of concentrating
on a couple of very serious movie scripts. Unlike teledramas, they leave
a lasting impact.
This story was originally sketched by Dr Peries. It is about a
puppeteer. I was privileged to be the script writer. I have introduced
many aspects in my screenplay to make it more indigenous. It will surely
entice the audiences to make them feel as if a puppet has come to life!
We need trend-setters in this field which has a very small market. If
you look back, ‘Sujatha’, ‘Sikuru Tharuwa’, ‘Kurulubedda’ and ‘Rekhawa’
set a trend though they were not masterpieces. Striking a balance
between arty and commercial films is ideal for our market. I have a gut
feeling Sumitra’s film too will create a different trend in Sinhala
Q: Are actors born or made?
A: It is a complex question. I personally feel, the oldest
profession in the world is nothing else but acting. How did our
ancestors communicate with each other? Acting had been there for the
purpose of communication. It had been there in our genes from the
In Duhulu Malak
Charlie Chaplin had said, to be a successful film actor, you need
only 25 percent talent and 75 percent luck. If any guy who is
persevering and has an iota of talent, he or she could definitely work
Actors groomed by acting schools are typecast in roles most of the
time. You can learn basic points in acting from a school, although you
should not confine yourself to one method of acting.
Three Shakespearean actors in three places in the world would project
‘Hamlet’ in three different, yet credible ways. There is such variety in
acting. Some method-crazy actor could play havoc with the character.
These people must see Sir Laurence Olivier on stage.
Acting remains the same though there could be various tags attached
to it. Acting is a stream and you must have a dip to get the feeling.
There is a book called ‘Life and Lies of Stanislavsky’. In it is said,
the best way to play a character is to play it the normal way.
Q: Who do you think are the best actors of the bygone era of
A: Actors who knew their audience always did well. If you take
Shivaji Ganeshan or Rajni Kanth, they knew their audience. Our own
Gamini Fonseka catered well to his audience. He had two types of
audiences. Therefore he did ‘Nidhanaya’ and ‘Chin Chin Nona’.
Gamini did his own stunts. He knew what his producer and the fans
wanted from him. He was undoubtedly the best actor Sinhala cinema has
produced. I was his critic and friend. He was also my guru. Once I told
him, “Gamini, you have played Gamini Fonseka instead of Saviman Kabalana
in ‘Yuganthaya’”, and he said, “Ahh, there was nothing to play in that
role man. Let’s have a drink.” Later I realized he was right.
Domie Jayawardene was definitely one of the most versatile actors.
Unfortunately, he was an under estimated actor. Most of his films were
directed by South Indian Directors. He however managed to control his
acting without raising eyebrows which was a difficult task in that
Along with him came David Dharmakeerthie, D R Nanayakkara and Shanthi
Lekha. Michael Sannas Liyanege of ‘Ashokamala’ fame too was a fabulous
actor. Ananda Weerakoon was the most handsome Sinhala actor I have ever
Ananda Jayaratne could not differentiate between acting and
behaviorism. Smoking a cigarette and sending circles of smoke up in the
air are little mannerism and behaviorism and not acting.
Q: How did cinema personnel manage to work on very tight
schedules in the 60s and 70s when the levels of communication and
transport were poor?
A: The credit should go to particular production managers.
Cinamas Studio, Ceylon Studios and film companies had very good
production managers. Neil Rupasighe was a man who meticulously planned
films. His shooting schedule starts from the Muhurath day itself.
If the call sheet says shooting starts at nine in the morning, it
will start promptly. The slow vehicle will be at our doorstep at seven
to take us to Timbuktu. We will be all be there at the location, made up
and ready for the shot at nine. The actors respected the directors and
Everything flew smoothly at that time. Discipline was maintained in
the sets. If there were two songs to be shot on a particular day, all of
them concentrated only on that and nothing else. There were no mobile
phones to distract damsels unlike in today’s teledrama shooting sets.
Q: The characters you portrayed in ‘Delowak Athara’, ‘Ganga
Addara’ and ‘Saptha Kanya’ were totally different from each other.
A: The common accusation against me is that I am sort of a
monotonous actor but I always took the trouble to differentiate roles.
I had to play my roles in ‘Delowak Athara’ and ‘Hanthanae Kathawa’ in
a subtle way to make them unique. In ‘Saptha Kanya’, I come across as an
arch villain. A certain director had said, “Tony had done a fine role
but he had done a little mistake by changing his ‘voice’ instead of
getting somebody else to dub”. I told him to go and fly a kite.
Q: You have been associated with stage dramas. Shylock in ‘The
Merchant of Venice’ inevitably comes to mind as one of your outstanding
A: Henry Jayasena in one of his reviews had said, “I have seen
a couple of Shylocks in Britain and our Tony Ranasinghe does equally
In my first stage drama ‘Bodinkarayo’, I played an average young man
and in my second drama ‘Thattu Gewal’, I played an ageing homosexual.
Any other young actor wouldn’t have risked that. That was followed by
‘Harima Badu Hayak’ , Namel Weeramuni’s ‘Virupi Rupa’ and a couple of
When I look back I feel sorry that I did little on the stage. That
was where I was supposed to be. If I was financially free at the time, I
wouldn’t have touched cinema except for some good roles like ‘Delowak
Athara’. I ought to have devoted my entire career to the stage. I now
feel, I have done some injustice to the stage.
* Feb 15 - ‘Don’t Burn’directed by Dang Nhat
Minh (7 pm)
* Feb 16 - ‘Hanoi Little Girl’directed by Hai Ninh (6 pm)
* Feb 17 - ‘The Moon in the Bottomof the Well’ directed by Nguyen Vinh
Son (6 pm)
* Feb 18 - ‘Wild Field’ directedby Hong Sen (6 pm)
* Feb 19 - ‘Story of Pao’directed by Quang Hai (6 pm)
Sri Lankan movie lovers will be in for a treat when the first Vietnam
Film Festival takes to the screen in Sri Lanka. The film festival will
be held from February 15 to 19 at the National Film Corporation cinema
Addressing the media regarding the event NFC Asoka Serasinghe said
that this would be a new experience for local movie buffs. The Vietnam
Film Festival is the first foreignfilm festival to be held in the
country in 2012. “The festival would help us to strengthen our
diplomatic ties with Vietnam. This is one of the main cultural
activities organized by the recently established Vietnamese Embassy. It
will help Sri Lankans to get a better picture of Vietnam and would
contribute towards cultivating relationships between the two countries”,
“Vietnam has a great war history.Most of their films are related to
the war. Most of the films were nominated for international awards and
some of them have even clinched the prizes. Vietnam is one of the
developing countries in the Asian region. We need to enhance our
friendship with the nation,”he said. Vietnamese Ambassador in Sri Lanka
Tom Sing Tan said that this is the first cultural activity undertaken by
“We are offering a very good collection of Vietnam movies which will
emphasize the bravery of our country. We also hope to organize more
activities with the National Film Corporation in the future,” he noted.
Mass Media and Information minister Dr Keheliya Rambukwella will
grace the inauguration of the event which will be held on February 15.
Sri Lankan artistes go global
LankaFaces CEO Dulanga Perera, Chief Operating Officer
Sanju Samarasinghe and team during the event
Entertainment and celebrations were in order when LankaFaces launched
its website www.lankafaces.com at a gala event held recently at the
Cinnamon Grand Hotel.
A fusion of drum beats and violin performance were part of the
opening events of the ceremony amid many cinema artistes, directors,
make up artists, models, photographers and other popular faces in the
entertainment industry. The website comprises profiles of celebrities in
the country. You get professionals from cinema, music, media and other
entertainment zones all on one page as you browse the website. This
makes networking easier among the groups and opens a platform for local
talent to be showcased to the global audience.
LankaFaces CEO Dulanga Perera, Chief Operating Officer
Sanju Samarasinghe and team during the event
The information of all those professionals who register with the team
will be just a click away and opportunities for our artistes to display
their capabilities will be at their fingertips. This makes it easier to
simplify casting, discovering new talent and getting the most accurate
information about a particular individual in a short span. “We offer a
wide range of services and will be adding more artiste categories to the
website,” LankaFaces CEO Dulanga Perera said. He also added that the
team would contact each user and check up on their information and
updates to avoid fake profiles or information from being added to the
Those who wish to register are requested to visit the site and fill
in the information. Then they would have a meeting with the site
operators to ensure their authenticity. Once they pass this test, the
user will receive 100 LankaFaces business cards with an identification
number called SpotMe#. Each word encompasses a digital barcode on the
back. This is unique to each user and allows anyone to take a snap shot
of it with their mobile phone and upload it to the internet. Once you
click on the barcode you will gain instant access to the individual’s
profile. It’s that easy!
Reaping a cinematic harvest
Anoma Weerasekara receives
her prize for the Best Short Film
Many would claim that to make an artistic cinematic creation, one
would need a grand budget but these individuals have proved otherwise.
Propelled by their creative thirst, they showed that simple
technological gear and burning ambition are enough to weave magic
through the art of cinema.
The budding, young local film-makers proved that the future of Sri
Lankan cinema is in good hands, as they showcased their creative talents
recently at the ‘Sri Lanka Youth-Cinematic Harvest Film Festival’. The
festival was organized by the National Youth Services Council and the
Youth Affairs and Skills Development Ministry.
Around 74 short films and 14 documentary film scripts were included
in the competition, out of which 10 short films and 10 documentary films
qualified for the final round. The participants were also given the
exclusive opportunity to participate at a special three day workshop
conducted by veteran film-makers such as Prasanna Jayakody, Vimukthi
Jayasundara and Prasanna Withanage.
The winners of the competition. Pictures by Wasitha
The participants of the final round were handed awards at a grand
award ceremony which unraveled at the National Film Corporation cinema
hall. The awards were given under both documentary and short film
Aspiring young film-maker, Anoma Weerasekara’s creation ‘Blood’, won
the award for the best short film. The second place went to M R
Wijeysinghe for his film ‘Edit and Send It’. The third place was won by
S S Dasanayaka for ‘Duduwama’. Prabath Aravinda’s ‘Imagine’ and Shanaka
Bodiya Baduge’s ’35 c’ won jury awards.
From the Documentary segment, Saminda Aththanayaka walked away with
first place for his documentary film ‘Ritipanna’. The second place was
won by Sampath Thennakon for his creation ‘Mission in a Mobile Phone’.
The third place was won by Mahesh Janaka Ranasinghe for his documentary